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Deconstructing gender narratives of abuse in Shange’s for colored girls who have considered suicide/ when the rainbow is enuf
(2022-01)In for colored girls who have considered suicide/ when the rainbow is enuf, Ntozake Shange deconstructs patriarchal ideology through language by sharing the experiences of empowerment and disempowerment of seven women ... -
Erasing History? Monuments as Archaeological Artefacts
(C. Baxter, Erasing History?: Monuments as Archaeological Artefacts, «Public History Review», 28 (2021), pp.1–3, 2021)Following work on a master’s thesis about relocating monuments, the author reflects on the way that public monuments form an archaeological record of a society, arguing that by thinking of monuments as archaeology rather ... -
Federico De Roberto: la guerra in controluce, tra Storia e antistoria
(2022-01)L’articolo ha come oggetto la rappresentazione del primo conflitto mondiale negli scritti di Federico De Roberto. L’autore, dopo l’entrata in guerra dell’Italia, partecipa alle attività di propaganda a sostegno del ... -
Ivan Pupo, «Nessuno trionfa, tranne il caso». Le ultime novelle di Pirandello tra filologia e critica, Edizioni di pagina, Bari 2021
(2022-01)Recensione di IVAN PUPO, «Nessuno trionfa, tranne il caso». Le ultime novelle di Pirandello tra filologia e critica, Edizioni di pagina, Bari 2021, 291 pp. -
Lunja, the Female Trickster of the Kabyle / Amazigh Mythological Tradition
(2022-01)The present paper examines one of the most famous female figures of the Kabyle/ Amazigh mythology, Lunja who has been invisible in the mainstream of academic concerns in Algeria and abroad. The few studies carried on ... -
L’esame del cursus dantesco in una nuova applicazione
(2022-01)Nel presente articolo si descrivono le modalità di esecuzione del cursus dantesco, obbedienti sempre a schemi di una rigida simmetria. Tali lineamenti, assolutamente peculiari di Dante, si possono riscontrare anche ... -
«M’insegnavate come l’uom s’etterna». Per una didattica della salvezza nella ‘Commedia’
(2022-01)Scegliere di rendere la sua salvezza un fatto tutt’altro che individuale e ammettere che essa passi attraverso un processo di edificazione formativa ‘guidata’ è una trasposizione concreta del modo dantesco di intendere ... -
Puentes de comprensión: Trauma cultural, tabú político, unacknowledgeability y trauma del testigo en Avatar: La leyenda de Aang
(2022-01)Questo saggio analizza la serie televisiva animata L'ultimo dominatore dell'aria (The Last Airbender) (2005- 2008), co-creata da Michael Dante DiMartino e Bryan Konietzko, dal punto di vista del trauma culturale e del tabù ... -
'Remembering Aesi': Women's History, Dialogical Memorials and Sydney's Statuary
(K. Lindsey, ‘Remembering Aesi’: Women’s History, Dialogical Memorials and Sydney’s Statuary, «Public History Review», 28 (2021), pp. 1–16., 2021)In this article I draw upon a definition of ‘dialogical memorial’ offered by Brad West to offer an experimental artist's brief that outlines the various ways that a contemporary monument to the colonial artist, Adelaide ... -
Il ‘Ritratto di Frate Ludovico Marra’ nella Basilica di Santa Fara a Bari
(2022-01)Il saggio attribuisce a Donato Piperno o a Paolo De Matteisil Ritratto di Frate Ludovico Marra che è nella Basilica di Santa Fara a Bari. La duplice ipotesi attributiva è il risultato di un’analisi dettagliata,stilistica ... -
Un romanzo giallo sotto il segno dell'inferno
(2022-01)Nel saggio l’autrice conduce un’indagine intertestuale che evidenzia i termini del “dialogo” tra antico e moderno in cui la Commedia dantesca torna prepotentemente a costituire la fonte, sempre viva e attuale, a cui ... -
Rosa Montero, La buena suerte, Al-faguara, Madrid 2020
(2022-01)Recensione a ROSA MONTERO, La buena suerte, Alfaguara, Madrid 2020, 325 pp. -
Set in Stone? Dialogical Memorialisation and the Beginnings of Australia’s Statue Wars
(B. Scates, Set in Stone? Dialogical Memorialisation and the Beginnings of Australia’s Statue Wars, «Public History Review», 28 (2021), pp.1–12, 2021)Memorials to white explorers and pioneers long stood (virtually) unchallenged in the heart of Australia’s towns and cities. By occupying civic space, they served to legitimise narratives of conquest and dispossession, ... -
The recreation of the concept of communal self-consciousness based on Wagner’s music-drama
(2022-01)From ancient times until today, enhancing consciousness in the public has been one of the most fundamental goals in tragedies. Throughout history, artists have tried to make ways through tragedy to be able to represent ... -
Toppling the Past? Statues, Public Memory and the Afterlife of Empire in Contemporary New Zealand
(2021-06-22)This article explores some of the recent debates over statues, memorials and cultures of commemoration in New Zealand. These 'statue wars' are particularly focused on explorers, military men, colonial governors, and even ... -
Unfinished Business: Rewriting the Past
(A. Clark, Unfinished Business: Rewriting the Past, «Public History Review», 28 (2021), pp. 1–4., 2021)Understanding History’s history requires reading and analysing the texts it has produced across time, and the diverse historians who made them. In settler-colonial societies like Australia, understanding the power and ... -
‘Who controls the past… controls the future’: A Case for Dialogical Memorialisation
(M. Smith, ‘Who controls the past… controls the future’: A Case for Dialogical Memorialisation, «Public History Review», 28 (2021), pp. 1–12, 2021)Ultimately, dialogical memorialisation is a way to promote critical thinking and engagement with these old statues, moving away from viewing them as nineteenth-century memory culture relics and transforming them into more ...