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L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema
(Roma : Carocci, 2013)
The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful
illustrations of his short and long novels. The illustrations – painted by Cruikshank,
Phiz, Leech – were reproduced as slides for ...
Strategie del patetico e interludi circensi in Hide and Seek di Wilkie Collins
(Roma : Carocci, 2013)
Starting from Victor Turner’s definitions of cultural performance and liminoid phenomena,
the essay aims to analyse Wilkie Collins’s third novel, Hide and Seek (1854),
which seems to be a sort of survey of the pastimes ...
Introduzione
(Roma : Carocci, 2013)
«Unsex Me Here»: Bodies and Femininity in the Performance History of Lady Macbeth
(Roma : Carocci, 2013)
Jenijoy La Belle argued that Lady Macbeth’s “unsex me here” speech expresses Lady
Macbeth’s desire to be made more masculine through amenorrhea. This amenorrhea
enables Duncan’s murder, but leaves her barren. La Belle’s ...
Sipari gotici. Lo strano caso del Dr. Boaden e Mr. Lewis
(Roma : Carocci, 2013)
Starting from the remarkable intellectual bond linking James Boaden and Matthew
Gregory Lewis, this paper investigates the nature of the relationship that, at the end
of the eighteenth century, came to be established ...
Shakespeare’s Romeo and Juliet: theatricality of reality against true love?
(Roma : Carocci, 2013)
Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare
myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget
Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime ...
Paola Bono (a cura di), Amleto e Macbeth. Sfumature di noir : [recensione]
(Roma : Carocci, 2013)
Licence to Adapt: the Resilience of the 007 Narration in Casino Royale
(Roma : Carocci, 2013)
Attolino, Paola. “Licence to Adapt: the Resilience of the 007 Narration in Casino Royale.” «Testi e linguaggi» 7(2013):139-148. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]
Shakespeare’s language and the contemporary cinema audience
(Roma : Carocci, 2013)
Among the many difficulties which are encountered in realising the plays of Shakespeare
for the screen, perhaps the greatest is the translation from a primarily verbal
medium to a primarily visual one. The decisions made ...