Testi e linguaggi. Vol.7 (2013): Recent submissions
Items 1-20 di 27
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Judith Schalansky, Lo splendore casuale delle meduse : [recensione]
(Roma : Carocci, 2013) -
Elisa Gregori, Le comiche smorfie. Avramiotti contro Chateaubriand : [recensione]
(Roma : Carocci, 2013) -
Paola Bono (a cura di), Amleto e Macbeth. Sfumature di noir : [recensione]
(Roma : Carocci, 2013) -
Dalla scena elisabettiana al teatro di figura: La tempesta di Shakespeare nella traduzione di Eduardo De Filippo
(Roma : Carocci, 2013)In 1983, a year before his death, Eduardo De Filippo translates in seventeenth-century Neapolitan language The Tempest by William Shakespeare (for the Einaudi publishing house in the series Writers translated by writers), ... -
«Unsex Me Here»: Bodies and Femininity in the Performance History of Lady Macbeth
(Roma : Carocci, 2013)Jenijoy La Belle argued that Lady Macbeth’s “unsex me here” speech expresses Lady Macbeth’s desire to be made more masculine through amenorrhea. This amenorrhea enables Duncan’s murder, but leaves her barren. La Belle’s ... -
«Music to Hear…»: da Shakespeare a Stravinsky
(Roma : Carocci, 2013)Two of Shakespeare’s sonnets, 8 and 128, stage an intermedial dialogue between music and poetry. This has challenged a number of modern composers to respond with their own art, among them Igor Stravinsky with a so far ... -
Shakespeare’s language and the contemporary cinema audience
(Roma : Carocci, 2013)Among the many difficulties which are encountered in realising the plays of Shakespeare for the screen, perhaps the greatest is the translation from a primarily verbal medium to a primarily visual one. The decisions made ... -
Shakespeare’s Romeo and Juliet: theatricality of reality against true love?
(Roma : Carocci, 2013)Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime ... -
Looking for his “Part”: Performing Hamlet in new millennium Europe
(Roma : Carocci, 2013)Much has changed in Europe since the euphoria of the early nineteen-nineties of the last century: massive migration, pan-European Neo-Nazism, a new and active Moslem self-awareness, the resurgence of Russian Nationalism, ... -
Weird and Queer on tv: The Taming of the Shrew between William Shakespeare and Sally Wainwright
(Roma : Carocci, 2013)The Taming of the Shrew produced by the bbc, written by Sally Wainwright and directed by David Richards is the last of a very long series of screen adaptations of the Shakespearean Shrew and was broadcast in 2005 together ... -
Gender and Cross-dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare
(Roma : Carocci, 2013)Is there a woman in Shakespeare? This might sound facetious, but it is not so outlandish in the context of boy actors. Elizabethan drama was after all designed and stagemanaged by men mostly for men. In this context, is ... -
Raccontando «tristi storie della morte dei re».Testo, contesto e rappresentazioni del Riccardo II di Shakespeare
(Roma : Carocci, 2013)William Shakespeare’s Richard ii presents philosophical and political themes related to the history of England and a symbolical interpretation of the Wars of the Roses, on the one hand; and to the person of Queen Elizabeth ... -
Performing Dancing at Lughnasa on screen
(Roma : Carocci, 2013)Considered one of the most representative playwrights in the contemporary Irish scene, Brian Friel offers in his plays a changeable and inconstant perception of language, where words are mainly understood as transitory and ... -
O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history
(Roma : Carocci, 2013)This paper deals with the continuing dialogue between dramatic text and audience, while resorting to the tenets of reception theory. I have focused on the moral issues resulting from the unfolding of dramatic action in ... -
Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina
(Roma : Carocci, 2013)The contribution’s goal is to piece together the critical analysis project at the root of Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969. This preparatory path gives origin to a vast ... -
Licence to Adapt: the Resilience of the 007 Narration in Casino Royale
(Roma : Carocci, 2013)Attolino, Paola. “Licence to Adapt: the Resilience of the 007 Narration in Casino Royale.” «Testi e linguaggi» 7(2013):139-148. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza] -
Pantomime e parodie russe al Teatro degli Indipendenti di A. G. Bragaglia
(Roma : Carocci, 2013)The article examines some performances held in Rome in Anton Giulio Bragaglia’s Teatro degli Indipendenti (Theatre of Independents) by Russian artists (dancers, mimes, musicians and writers) during the Nineteen Twenties ... -
L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema
(Roma : Carocci, 2013)The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful illustrations of his short and long novels. The illustrations – painted by Cruikshank, Phiz, Leech – were reproduced as slides for ... -
Strategie del patetico e interludi circensi in Hide and Seek di Wilkie Collins
(Roma : Carocci, 2013)Starting from Victor Turner’s definitions of cultural performance and liminoid phenomena, the essay aims to analyse Wilkie Collins’s third novel, Hide and Seek (1854), which seems to be a sort of survey of the pastimes ...
