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    <link>http://elea.unisa.it/xmlui/handle/10556/3945</link>
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    <pubDate>Mon, 20 Apr 2026 10:54:34 GMT</pubDate>
    <dc:date>2026-04-20T10:54:34Z</dc:date>
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      <title>Penombre caleidoscopiche. La terra e la morte di Cesare Pavese: proposte interpretative</title>
      <link>http://elea.unisa.it/xmlui/handle/10556/4130</link>
      <description>Title: Penombre caleidoscopiche. La terra e la morte di Cesare Pavese: proposte interpretative
Authors: Di Domenico, Marilina
Abstract: The essay has as its object of analysis of the Cesare Pavese’s anthology of poetry, entitled La terra e la
morte and dedicated to Bianca Garufi. It is a complex and highly symbolic poetry, of which we try to
provide possible further points of reading. It also pays attention to the symbolic dimension of female
character, known theme in the writing of Pavese; interesting, in this regard, is a fascinating parallelism
between Neruda and Pavese. The essay presents itself as a journey through the poems of the collection to discover the identity of the mysterious interlocutor to whom Pavese turns.</description>
      <pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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      <dc:date>2019-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Il romanzo gotico: dalla tradizione europea a Malombra di Fogazzaro</title>
      <link>http://elea.unisa.it/xmlui/handle/10556/4129</link>
      <description>Title: Il romanzo gotico: dalla tradizione europea a Malombra di Fogazzaro
Authors: Di Vita, Anastasia
Abstract: The Gothic novel originated in the second half of the eighteenth century in England, but its fame soon reached all of Europe. Based on precise dynamics and settings, the gothic novel is nourished by the occult world, by the fears and primitive impulses of man, in fact fascinating more the reader than the critic. The essay takes up the history and the major protagonists of the genre, such as Walpole, Hoffmann, Lewis, Beckford and others, up to Malombra by Fogazzaro, and other examples of Italian and European literature</description>
      <pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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      <dc:date>2019-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Risignificare Antigone The Island di Athol Fugard</title>
      <link>http://elea.unisa.it/xmlui/handle/10556/4128</link>
      <description>Title: Risignificare Antigone The Island di Athol Fugard
Authors: La Mantia, Fabio
Abstract: This study aims to investigate The Island (1973), a South African rewriting of the Sophocles’s Antigone. The drama was conceived by Athol Fugard, the most acclaimed contemporary South African playwright, assisted by John Kani and Winston Ntshona, two actors-activists, as well as the unique interpreters of the pièce. In Fugard’s play, the existential path of the young Theban heroine intersects itself with the circumstances of a story that really happened in full apartheid interregnum: the impromptu staging of
Antigone by prisoners of Robben Island (including Nelson Mandela), the penitentiary island off Cape Town. The theatre became not only an instrument of escape but above all of resistance, better still of survival.</description>
      <pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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      <dc:date>2019-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Bless the war! Ribellione e primitivismo nella produzione vorticista</title>
      <link>http://elea.unisa.it/xmlui/handle/10556/4127</link>
      <description>Title: Bless the war! Ribellione e primitivismo nella produzione vorticista
Authors: Picello, Raffaella</description>
      <pubDate>Tue, 01 Jan 2019 00:00:00 GMT</pubDate>
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      <dc:date>2019-01-01T00:00:00Z</dc:date>
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