Please use this identifier to cite or link to this item: http://elea.unisa.it:8080/xmlui/handle/10556/1144
Title: Shakespeare’s Romeo and Juliet: theatricality of reality against true love?
Authors: Loder, Conny
Keywords: Shakespeare
Romeo and Juliet
Movies
Issue Date: 2013
Publisher: Roma : Carocci
Citation: Loder, Conny. “Shakespeare’s Romeo and Juliet: theatricality of reality against true love?” «Testi e linguaggi» 7(2013): 305-320. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]
Abstract: Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime production, Romeo × Juliet (2007), all of which draw on pop pastiche. Reducing reality to an imitation of signs these films inflate signs that are deprived of their essence. Placing Romeo and Juliet into a world that continually references itself through an abundance of signs, these films ask how true, authentic love can be experienced.
URI: http://hdl.handle.net/10556/1144
http://dx.doi.org/10.14273/unisa-34
ISSN: 1974-2886
Appears in Collections:Testi e linguaggi. Vol.7 (2013)

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