Please use this identifier to cite or link to this item: http://elea.unisa.it:8080/xmlui/handle/10556/1144
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dc.contributor.authorLoder, Conny-
dc.date.accessioned2014-02-21T12:32:30Z-
dc.date.available2014-02-21T12:32:30Z-
dc.date.issued2013-
dc.identifier.citationLoder, Conny. “Shakespeare’s Romeo and Juliet: theatricality of reality against true love?” «Testi e linguaggi» 7(2013): 305-320. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]en_US
dc.identifier.issn1974-2886en_US
dc.identifier.urihttp://hdl.handle.net/10556/1144-
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-34-
dc.description.abstractPost-modernist film adaptations of Shakespeare often deconstruct the Shakespeare myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime production, Romeo × Juliet (2007), all of which draw on pop pastiche. Reducing reality to an imitation of signs these films inflate signs that are deprived of their essence. Placing Romeo and Juliet into a world that continually references itself through an abundance of signs, these films ask how true, authentic love can be experienced.en_US
dc.format.extentP. 305-320en_US
dc.language.isoenen_US
dc.publisherRoma : Carocci-
dc.sourceUniSa. Sistema Bibliotecario di Ateneoen_US
dc.subjectShakespeareen_US
dc.subjectRomeo and Julieten_US
dc.subjectMoviesen_US
dc.titleShakespeare’s Romeo and Juliet: theatricality of reality against true love?en_US
dc.typeArticleen_US
Appears in Collections:Testi e linguaggi. Vol.7 (2013)

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