Il significato della pittura. Imaginative art e actual criticism in Roger Fry

Abstract

The present work traces on a chronological schedule the most important steps of Roger Fry’s critique, from the beginning as connoisseur in the end of the 19th Century, through the formalist season of the Twenties, till the formalism crisis and his thoughts on the method and the practice of art criticism in the latest years. This research moves around, from a critic point of view, not only on the rereading of the first contribution on Renaissance Art published by Fry, but also on some unreleased manuscripts, from which some quotes are submitted, that furnish a full documentary repertoire, not explored so far, through which we can build up the study of the ancient Renaissance Masters that for the young connoisseur Fry represents the first field test of his aesthetic sensibility... [edited by author]