Please use this identifier to cite or link to this item: http://elea.unisa.it:8080/xmlui/handle/10556/3398
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dc.contributor.authorNicolì, Rita-
dc.date.accessioned2019-07-11T12:21:15Z-
dc.date.available2019-07-11T12:21:15Z-
dc.date.issued2018-
dc.identifier.citationNicolì, Rita."Pirandello e Ibsen nel perimetro di scena ronconiano." Sinestesieonline, A. 7, no. 23 (30 Maggio 2018): 65-71it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/06/maggio2018-09.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3398-
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1643-
dc.description.abstractIbsen and Pirandello represent two pillars of the great bourgeois theatre between the XIX and XX centuries. Their works have always been subject to critical analysis and theatrical representation, in particular, Gengångare and Sei personaggi in cerca d’autore offer important points for reflection on common topics related to the corrupt family relationships that they describe. This essay proposes a comparison between the staging of the two works by the director Luca Ronconi who worked on 1982 and 2012. This makes it possible to evaluate the director’s tension in the act of making concrete choices about the possible representation of the similar themes touched by the two authors, his ability to grasp even minimal allusions, questioning the texts to reveal to the viewers what is sometimes implicit in them.it_IT
dc.format.extentP. 65-71it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectRonconiit_IT
dc.subjectPirandelloit_IT
dc.subjectIbsenit_IT
dc.subjectDramma familiareit_IT
dc.subjectTheatrical family dramait_IT
dc.titlePirandello e Ibsen nel perimetro di scena ronconianoit_IT
dc.typeJournal Articleit_IT
Appears in Collections:Sinestesieonline. A. 7, no. 23 (30 Maggio 2018)

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