1. Elea
  2. Edizioni Sinestesie
  3. Sinestesieonline
  4. Sinestesieonline. A. 7, no. 24 (Ottobre 2018)
Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/3408
Abstract: The article seeks to highlight the chronotopes of delivery in modern Moroccan theatre and show how and when the act of grounding its cultural politics took place. It unmasks Lyautey’s dynamics of colonial modernity and highlights the historical role of Theatre of Resistance which used colonial levers as resistance weapons to subvert and destabilize the position of the colonizer, disperse his very identity and authority and displace western hegemony. In short, the article sheds luster on the traces of modernity in post-colonial Moroccan theatre and how these traces came to be frowned upon following the post-colonial turn.
Appears in Collections:Sinestesieonline. A. 7, no. 24 (Ottobre 2018)

Files in This Item:
File Description SizeFormat 
SinestesieonlineIl Parlaggio online - n. 24 - a. VII - Ottobre 2018. 5-18.pdfSinestesieonline/Il Parlaggio online - n. 24 - a. VII - Ottobre 2018. 5-18157,92 kBAdobe PDFView/Open
Show full item record SFX Query


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.