Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/3635
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dc.contributor.authorMcNeeley, Gale
dc.date.accessioned2019-07-22T12:08:06Z
dc.date.available2019-07-22T12:08:06Z
dc.date.issued2017
dc.identifier.citationMcNeeley, Gale. "Preparing for Commedia dell’Arte." Sinestesieonline, A. 6, no. 19 (Marzo 2017): 1-4it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/03/marzo2017-14.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3635
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1865-
dc.description.abstractCommedia dell’Arte comes alive when played passionately by characters with an unquenchable need. Commedia is a theatre of contrasts. It moves from Order to Disorder, Chaos, Disaster and back to Order and a Happy Ending. Masks and improvisational play distinguish Commedia from other theatre forms, and the spectacular nature of each character’s play. Commedia dell’Arte is alive today because audiences see themselves on stage dealing with the fools they meet daily. It will never die as long as their are great masters like Carlo Mazzone-Clementi, Giovanni Fusetti and Antonio Fava to share the form, and fools to poke fun at in the world.it_IT
dc.format.extentP. 1-4it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectActorit_IT
dc.subjectCommedia dell’arteit_IT
dc.subjectScenarioit_IT
dc.subjectMaskit_IT
dc.subjectPerforming artsit_IT
dc.titlePreparing for Commedia dell’Arteit_IT
dc.typeJournal Articleit_IT
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