Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/4003
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Campo DCValoreLingua
dcterms.contributor.authorOlivieri, Claudia-
dc.date.accessioned2019-12-06T12:31:05Z-
dc.date.available2019-12-06T12:31:05Z-
dcterms.date.issued2017-
dcterms.identifier.citationOlivieri, C. Medici, “Marleen” e militari. O della “Brava gente” al cinema. "Europa Orientalis", 36 (2017): 395-420it_IT
dcterms.identifier.issn0392-4580it_IT
dcterms.identifier.urihttp://www.europaorientalis.it/it_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4003-
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-2222-
dc.description.abstractThe subject of the article is the film Attack and Retreat, the first Italian-Soviet film in co-production, signed by the director Giuseppe De Santis. In particular, I would like to point out the differences between the film and the original script and the numerous scripts by Sergei Smirnov and De Santis himself, preserved both in Moscow and Rome. Corrections, cuts and compromises show that writing a text that would bring Russians and Italians in agreement was not easy; the diversity of views reflected the delicate economic, political and cultural balances between the two countries at the time. The analisis of the various scrips allows us to recognize their literary value and understand the mechanisms with which ideology becomes literatureit_IT
dcterms.format.extentP. 395-420it_IT
dc.language.isoitit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectCinema and cultureit_IT
dcterms.subjectItaly-Russia relationshipsit_IT
dcterms.subjectDe Santisit_IT
dcterms.titleMedici, “Marleen” e militari. O della “Brava gente” al cinemait_IT
dcterms.typeJournal Articleit_IT
È visualizzato nelle collezioni:Europa Orientalis. XXXVI (2017)

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