Please use this identifier to cite or link to this item:
http://elea.unisa.it/xmlui/handle/10556/4118
Title: | A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis |
Authors: | Del Gado, Juan Gomis, Elsa |
Keywords: | Film;Refugees;Mediterranean;Representation;Migration |
Issue Date: | 2019 |
Citation: | Del Gado, J. & Gomis, E.C. (2019). A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge-JMK, 4(2), 223-233. DOI: 10.26409/2019JMK4.2.14 |
Abstract: | This is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the film Altered Landscapes (2016), which is the first part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra-nean. |
URI: | http://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archive http://elea.unisa.it:8080/xmlui/handle/10556/4118 http://dx.doi.org/10.26409/2019JMK4.2.14 http://dx.doi.org/10.14273/unisa-2327 |
ISSN: | 2499-930X |
Appears in Collections: | Vol 4, No 2 (2019): Artistic Strategies of Migration: Art as a Resistance or as a Reinsurance? |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
159-Article Text-641-1-10-20191207.pdf | JMK, 2019, 4(2), 223-233 | 320,24 kB | Adobe PDF | View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.