Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/4118
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dc.contributor.authorDel Gado, Juan
dc.contributor.authorGomis, Elsa
dc.date.accessioned2020-02-04T10:39:51Z
dc.date.available2020-02-04T10:39:51Z
dc.date.issued2019
dc.identifier.citationDel Gado, J. & Gomis, E.C. (2019). A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge-JMK, 4(2), 223-233. DOI: 10.26409/2019JMK4.2.14it_IT
dc.identifier.issn2499-930Xit_IT
dc.identifier.urihttp://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archiveit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4118
dc.identifier.urihttp://dx.doi.org/10.26409/2019JMK4.2.14
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2327-
dc.description.abstractThis is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the film Altered Landscapes (2016), which is the first part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra-nean.it_IT
dc.format.extentP. 223-233it_IT
dc.language.isoenit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectFilmit_IT
dc.subjectRefugeesit_IT
dc.subjectMediterraneanit_IT
dc.subjectRepresentationit_IT
dc.subjectMigrationit_IT
dc.titleA Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomisit_IT
dc.typeJournal Articleit_IT
È visualizzato nelle collezioni:Vol 4, No 2 (2019): Artistic Strategies of Migration: Art as a Resistance or as a Reinsurance?

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