Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/4131
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dc.contributor.authorBerggren, Erik
dc.date.accessioned2020-02-05T08:31:14Z
dc.date.available2020-02-05T08:31:14Z
dc.date.issued2019
dc.identifier.citationBerggren, E. (2019). Representation, Victimization or Identification. Negotiating Power and Powerlessness in Art on Migration. Journal of Mediterranean Knowledge-JMK, 4(2), 113-136. DOI: 10.26409/2019JMK4.2.09it_IT
dc.identifier.issn2499-930Xit_IT
dc.identifier.urihttp://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archiveit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4131
dc.identifier.urihttp://dx.doi.org/10.26409/2019JMK4.2.09
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2340-
dc.description.abstractA commonplace idea, and worry, in much political art is the emphasis on not to victimize the object/subject in artistic strategies, and to portray people as subjects with agency. And the way to do this is to allow for identification. This article asks if this strong idea might be shaped by an ameliorating guilt for victims, which in turn is partially informed by an inability to free the gaze from a hegemonic view of people as agents. Instead the article looks at some contemporary artists who surface an opposite recognition, the radical lack of power for large groups within the global migration system, without attempts at temporary symbolic solutions. It will be argued that ththe recognition of powerlessness is and has always been a ground for political as well as artistic representation, mobilisation and solidarity.it_IT
dc.format.extentP. 113-136it_IT
dc.language.isoenit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectMigrationit_IT
dc.subjectIdentificationit_IT
dc.subjectRepresentationit_IT
dc.subjectVictimsit_IT
dc.subjectPowerlessnessit_IT
dc.titleRepresentation, Victimization or Identification. Negotiating Power and Powerlessness in Art on Migrationit_IT
dc.typeJournal Articleit_IT
È visualizzato nelle collezioni:Vol 4, No 2 (2019): Artistic Strategies of Migration: Art as a Resistance or as a Reinsurance?

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