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Campo DCValoreLingua
dcterms.contributor.authorOgheneruro Okpadah, Stephen
dc.date.accessioned2020-11-18T10:40:02Z
dc.date.available2020-11-18T10:40:02Z
dcterms.date.issued2020
dcterms.identifier.citationOgheneruro Okpadah, Stephen, "A study of Flekztival theatre performance of Ekakpamre people in Southern Nigeria". Sinestesieonline, A. 9, no. 29 (Maggio 2020): 1-13it_IT
dcterms.identifier.issn2280-6849
dcterms.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2020/06/maggio2020-12.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4824
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-3005-
dc.description.abstractIn recent times, the sacred components of traditional African festivals have been watered down, and it becomes difficult to decipher the significance of these festivals, from mere entertainments. Consequently, this study argues that ritual festivals in Nigerian, have-to a great extent, lost the ritual potency for which they originated. It is explored thetransition from festival theatre, to flekztival theatre performance, using Emuodje flekztival of Ekakpamre people of Southern Nigeria, as a paradigm. Periodic festival celebrations in African societies may be categorized into festival theatre, quasi-festival theatre and flekztival theatre. Moreover, flekztivals are products and constructs of modernity, civilization and globalization. Although Emuodje festivalhad lost its sacred gaze, there is still a lot in it to facilitate a full discourse in traditional African festival.it_IT
dcterms.format.extentP. 1-13it_IT
dc.language.isoenit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectTraditional festivalit_IT
dcterms.subjectFlekztival theatre performanceit_IT
dcterms.subjectEmuodjeit_IT
dcterms.subjectEkakpamreit_IT
dcterms.titleA study of Flekztival theatre performance of Ekakpamre people in Southern Nigeriait_IT
dcterms.typeJournal Articleit_IT
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