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dc.contributor.authorOgheneruro Okpadah, Stephen
dc.date.accessioned2020-11-18T10:40:02Z
dc.date.available2020-11-18T10:40:02Z
dc.date.issued2020
dc.identifier.citationOgheneruro Okpadah, Stephen, "A study of Flekztival theatre performance of Ekakpamre people in Southern Nigeria". Sinestesieonline, A. 9, no. 29 (Maggio 2020): 1-13it_IT
dc.identifier.issn2280-6849
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2020/06/maggio2020-12.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4824
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-3005-
dc.description.abstractIn recent times, the sacred components of traditional African festivals have been watered down, and it becomes difficult to decipher the significance of these festivals, from mere entertainments. Consequently, this study argues that ritual festivals in Nigerian, have-to a great extent, lost the ritual potency for which they originated. It is explored thetransition from festival theatre, to flekztival theatre performance, using Emuodje flekztival of Ekakpamre people of Southern Nigeria, as a paradigm. Periodic festival celebrations in African societies may be categorized into festival theatre, quasi-festival theatre and flekztival theatre. Moreover, flekztivals are products and constructs of modernity, civilization and globalization. Although Emuodje festivalhad lost its sacred gaze, there is still a lot in it to facilitate a full discourse in traditional African festival.it_IT
dc.format.extentP. 1-13it_IT
dc.language.isoenit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectTraditional festivalit_IT
dc.subjectFlekztival theatre performanceit_IT
dc.subjectEmuodjeit_IT
dc.subjectEkakpamreit_IT
dc.titleA study of Flekztival theatre performance of Ekakpamre people in Southern Nigeriait_IT
dc.typeJournal Articleit_IT
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