La performance du corps ou le corps de la performance dans ‘Seuls’ de Wajdi Mouawad

Abstract

At the crossroad of themes and cultures, Wajdi Mouawad’s writing reflects a rhizomatic array of artistic genres and the most contemporary techniques of performance. Among the writing of this playwright, Seuls constitutes a «crossroad» in which intersects different forms of writing and staging techniques that create bridges between the textual and the performative where the performative body has new roles.