Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/5701
Title: Il tragico quotidiano. La “revanche du mythe” nel teatro francese tra le due guerre
Authors: Marinai, Eva
Keywords: Tragedia;Francia;Mito;Cartel des Quatre;Cocteau;Giraudoux;Anouilh;Sartre;Camus
Issue Date: 2021
Publisher: Avellino : Associazione culturale Internazionale Sinestesie
Citation: Marinai, Eva, "Il tragico quotidiano. La “revanche du mythe” nel teatro francese tra le due guerre". Sinestesieonline, A. 10, no. 32 (Maggio 2021): 1-24
Abstract: From the 1920s to the end of the Second World War, in Europe but especially in France, scholars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, Sartre, Camus together with Jouvet, Pitoeff, Baty, Dullin and Barsacq passed through the Greek myth as a privileged form to explain the contemporary world crossed by crisis and uncertainties.
URI: http://sinestesieonline.it/wp-content/uploads/2021/06/maggio2021-16b.pdf
http://elea.unisa.it:8080/xmlui/handle/10556/5701
http://dx.doi.org/10.14273/unisa-3805
ISSN: 2280-6849
Appears in Collections:Sinestesieonline. Anno 10, no. 32 (Maggio 2021)

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