1. Elea
  2. Edizioni Sinestesie
  3. Sinestesieonline
  4. Sinestesieonline. Anno 10, no. 32 (Maggio 2021)
Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/5701
Abstract: From the 1920s to the end of the Second World War, in Europe but especially in France, scholars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, Sartre, Camus together with Jouvet, Pitoeff, Baty, Dullin and Barsacq passed through the Greek myth as a privileged form to explain the contemporary world crossed by crisis and uncertainties.
Appears in Collections:Sinestesieonline. Anno 10, no. 32 (Maggio 2021)

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