1. Elea
  2. Edizioni Sinestesie
  3. Sinestesieonline
  4. Sinestesieonline. Anno 10, no. 32 (Maggio 2021)
Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/5702
Abstract: Although primarily known for his work as a filmmaker, Atom Egoyan has staged several theatre plays. In his career, theatre and the screen appear to be intertwined into a practice strongly influenced by Samuel Beckett. The artist adapts Beckett’s texts on two occasions: a work from behind the camera – the film of the drama Krapp's Last Tape – and a staged ver- sion of Eh Joe’s script. This paper aims to analyse how Egoyan transfers Beckett’s teleplay Eh Joe from the television screen to the stage.
È visualizzato nelle collezioni:Sinestesieonline. Anno 10, no. 32 (Maggio 2021)

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