Please use this identifier to cite or link to this item: http://elea.unisa.it:8080/xmlui/handle/10556/5703
Title: Catastrofe: l’albero, la luna e i pantaloni
Authors: Frasca, Gabriele
Keywords: Samuel Beckett;Aspettando Godot;Roger Blin;Dante
Issue Date: 2021
Publisher: Avellino : Associazione culturale Internazionale Sinestesie
Abstract: Perhaps the most striking thing about En attendant Godot is its alleged maturity. But it is a misleading impression, since the text now available, and obviously the “revised text”, was established only after a number of versions had been tried out. The original French manuscript shows, in fact, that it was a rather hesitant piece of work. In production, just to give an example, the director Roger Blin advised certain cuts for reason of technical effectiveness, and at that stage in his dramatic career Samuel Beckett was only too ready to learn for a professional. So when he undertook the first English translation, he dropped most of the passages Blin leaves out. Beckett continued revising Go- dot from its inception in the late 1940s to the late 1980s. It is thus the only play that non only accumulates his early experiences with theatre, but also is later evolution as a playwright and director of his own plays.
URI: http://sinestesieonline.it/wp-content/uploads/2021/05/maggio2021-14.pdf
http://elea.unisa.it:8080/xmlui/handle/10556/5703
http://dx.doi.org/10.14273/unisa-3807
ISSN: 2280-6849
Appears in Collections:Sinestesieonline. Anno 10, no. 32 (Maggio 2021)

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