Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/6331

Record completo di tutti i metadati

Campo DC	Valore	Lingua
dcterms.contributor.author	Gori, Barbara	-
dc.date.accessioned	2023-02-01T16:24:19Z	-
dc.date.available	2023-02-01T16:24:19Z	-
dcterms.date.issued	2021	-
dcterms.identifier.citation	Gori, B. (2021). As manifestações do silêncio em Mia Couto. Cultura La-tinoamericana, 34(2), pp. 226-254. DOI: http://dx.doi.org/10.14718/CulturaLati-noam.2021.34.2.10	it_IT
dcterms.identifier.issn	2539-0791	it_IT
dcterms.identifier.uri	https://editorial.ucatolica.edu.co/index.php/RevClat/article/view/4469/4008	it_IT
dcterms.identifier.uri	http://elea.unisa.it:8080/xmlui/handle/10556/6331	-
dcterms.identifier.uri	http://dx.doi.org/10.14273/unisa-4412	-
dc.description.abstract	Silence is a topic with a great power of attraction, especially in the Western society of the 21st cen-tury, where it is always more important to “have to speak at any cost”, “have to say everything” and “have to speak always”, as if they were an explicit way demonstrating a possible equation: to speak = to be valid. Traditional African society travels in the opposite direction. Sticking to the principles of oral tradition, traditional African society, on the contrary, uses the word cautiously in an inverse scale of values, without, however, wasting it. Who speaks less is worth more because it is with an attentive, care and never excessive use of the word that it is possible to establish the place of the sacred, of the art, of the memory, of the affections, of the justice. It is also making full use of the art of silence that it is imaginable to practice the wisdom and open the doors to the great mysteries of life and of the other. The possibility that silence has to be form and object of communication brings it closer to verbal languages, but with the singularity of not sharing their prerogative of “talking about themselves” in explicit and autonomous ways, in relation to a context. In the practice of silence, form and object are one. It is not thinkable to explain, it is not conceivable to narrate and it is not possible to describe the silence with the silence itself. Silence exists, a meaning is given to it, or, more properly, innumerable meanings, depending on the circumstances of the dialogue. However, to evoke, narrate, describe their meanings and their perceptible manifestations, it is necessary to use the clarity of other types of linguistic expression. In this article, are examined some works by the Mozambican writer Mia Couto. The analysis of these works concerns the types of silence important for the weight they have in the unfolding of narrative plots and in the intertwining of discourses. They manifest themselves mainly in four ways, all linked to the African oral tradition: the silence of listening, the silence of pauses and reticence, the desire for silence and the pleasure of listening, the silence in the silence of words.	it_IT
dcterms.format.extent	P. 226-254	it_IT
dc.language.iso	other	it_IT
dc.rights	CC BY-NC-SA	it_IT
dcterms.source	UniSa. Sistema Bibliotecario di Ateneo	it_IT
dcterms.subject	Mia Couto	it_IT
dcterms.subject	Silence	it_IT
dcterms.subject	African oral tradition	it_IT
dcterms.title	As manifestações do silêncio em Mia Couto	it_IT
dcterms.type	Journal Article	it_IT
dc.relation.ispartofjournal	Cultura Latinoamericana. Revista de estudios interculturales	it_IT
dcterms.identifier.e-issn	2539-0791	it_IT
dcterms.identifier.doi	http://dx.doi.org/10.14718/CulturaLati-noam.2021.34.2.10	it_IT
È visualizzato nelle collezioni:	Cultura Latinoamericana. Vol. 34 Núm. 2 (julio-diciembre 2021)

File in questo documento:

File	Descrizione	Dimensioni	Formato
Gori, B. Cultura La-tinoamericana, 2021.pdf	Gori, B. Cultura La-tinoamericana, 2021	197,45 kB	Adobe PDF	Visualizza/apri

Visualizza la scheda semplice del documento

DSpace JSPUI

DSpace preserves and enables easy and open access to all types of digital content including text, images, moving images, mpegs and data sets