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dc.contributor.authorPizzirusso, Igor <Istituto nazionale Ferruccio Parri>-
dc.date.accessioned2024-06-11T10:25:44Z-
dc.date.available2024-06-11T10:25:44Z-
dc.date.issued2023-04-27-
dc.identifier.citationIgor Pizzirusso, ''Games and Cultural Heritage'' «Public History Weekly», 11, 2023, n. 3it_IT
dc.identifier.issn2197-6376it_IT
dc.identifier.urihttps://public-history-weekly.degruyter.com/11-2023-3/games-cultural-heritage/it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/6990-
dc.description.abstractIn recent years, museums and heritage sites have proposed and implemented game experiences in their collections, websites or mobile apps. Nevertheless, this gamification has often amounted to little more than a coat of fresh paint applied to renew canonical public engagement practices. In contrast, a game is an experiential narrative, a coherent world in which the player immerses himself and exercises his action. A series of case studies can help to understand different ways of enhancing cultural heritage through this mediumit_IT
dc.format.extentSolo onlineit_IT
dc.language.isoenit_IT
dc.publisherI. Pizzirusso, ''Games and Cultural Heritage'' «Public History Weekly», 11, 2023, n. 3it_IT
dc.rightsDe Gruyter Oldenbourgit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectGames and cultural heritageit_IT
dc.subjectMuseumit_IT
dc.subjectVideogamesit_IT
dc.titleGames and Cultural Heritageit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalPublic History Weekly. The open peer review journalit_IT
dc.identifier.doihttp://dx.doi.org/10.1515/phw-2023-21327it_IT
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