Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/7350
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dc.contributor.authorLindsey, Kiera <Griffith University>
dc.contributor.authorSmith, Mariko <Australian Museum>
dc.date.accessioned2024-09-19T10:53:24Z
dc.date.available2024-09-19T10:53:24Z
dc.date.issued2021
dc.identifier.citationKiera Lindsey, Mariko Smith, Setting the Scene: Statue Wars and Ungrateful Citizens. «Public History Review», 28, (2021) pp.1–11.it_IT
dc.identifier.issn1833-4989it_IT
dc.identifier.urihttps://doi.org/10.5130/phrj.v28i0.7789it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7350
dc.description.abstractThis article provides an outline of the current statue wars in Australia, England, America, New Zealand and Eastern Europe before reviewing the many of the acts of public history making these contestations have inspired among both protestors and protectors. Commencing with the unveiling of the contested statue of Captain James Cook in Sydney's Hyde Park in 1879, the authors trace the connections and contestations between past and present history making before reflecting upon the role of public historians as communities strive to develop frameworks that can foster careful conversation, consultation and collaboration processes that help to reckon with the past.it_IT
dc.language.isoenit_IT
dc.rightsCC BY 4.0it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectStatuesit_IT
dc.subjectDialogical memorialisationit_IT
dc.subjectPublic protestit_IT
dc.subjectPublic history makingit_IT
dc.subjectCommunity consultationit_IT
dc.title'Setting the Scene': Statue Wars and Ungrateful Citizensit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalPublic History Reviewit_IT
dc.identifier.doihttps://doi.org/10.5130/phrj.v28i0.7789it_IT
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