Utilizza questo identificativo per citare o creare un link a questo documento: http://elea.unisa.it/xmlui/handle/10556/7357
Record completo di tutti i metadati
Campo DCValoreLingua
dc.contributor.authorClark, Anna <Australian Centre for Public History, University of Technology Sydney>-
dc.date.accessioned2024-09-19T13:50:15Z-
dc.date.available2024-09-19T13:50:15Z-
dc.date.issued2021-
dc.identifier.citationAnna Clark, Unfinished Business: Rewriting the Past, «Public History Review», 28 (2021), pp. 1–4.it_IT
dc.identifier.issn1833-4989it_IT
dc.identifier.urihttps://doi.org/10.5130/phrj.v28i0.7753it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7357-
dc.description.abstractUnderstanding History’s history requires reading and analysing the texts it has produced across time, and the diverse historians who made them. In settler-colonial societies like Australia, understanding the power and process of that curation is especially urgent. This discussion briefly explores aspects of the recent ‘statue wars’ in Australian history and argues that the one constant across these many understandings of Australia over time, is this: History curates the past.it_IT
dc.language.isoenit_IT
dc.publisherA. Clark, Unfinished Business: Rewriting the Past, «Public History Review», 28 (2021), pp. 1–4.it_IT
dc.rightsCC BY 4.0it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectHistory Warsit_IT
dc.subjectAustralian Historyit_IT
dc.subjectHistoriographyit_IT
dc.titleUnfinished Business: Rewriting the Pastit_IT
dc.typeJournal Articleit_IT
dc.relation.ispartofjournalPublic History Reviewit_IT
dc.identifier.doihttps://doi.org/10.5130/phrj.v28i0.7753it_IT
È visualizzato nelle collezioni:Contributi in rivista / Contributions in journals and magazines

File in questo documento:
File Descrizione DimensioniFormato 
7753-Article Text-35985-2-10-20210630.pdfA. Clark, Unfinished Business: Rewriting the Past, «Public History Review», 28 (2021), pp. 1–4.238,25 kBAdobe PDFVisualizza/apri


Tutti i documenti archiviati in DSpace sono protetti da copyright. Tutti i diritti riservati.