Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/7590
Title: Theatricality of Futurism. The Avant-garde as a Performative Paradigm
Authors: Tommasello, Dario
Keywords: Teatralità;Futurismo;Performance;Avanguardia;Manifesto;Theatricality;Futurism;Avant-garde
Issue Date: 2023
Publisher: Avellino : Associazione culturale Internazionale Sinestesie
Citation: Tommasello, Dario. Theatricality of Futurism. The Avant-garde as a Performative Paradigm, Sinestesieonline, A. 12, no. 39(Maggio 2023): 2-7
Abstract: Nel caso del Futurismo italiano, il ricorso al teatro, alla relazione tra palcoscenico e platea come metafora, crea più di un disorientamento. Pertanto, è giusto ribadire come l’equivoco di una supremazia del teatro, nel contesto dell’avanguardia italiana, generi un brillante paradosso il che, come si vedrà, conduce ad una rivalutazione, alla luce dei Performance Studies, della teatralità del movimento fondato da Marinetti.
In the case of Italian Futurism, the recursiveness to theatre, to the relationship between stage and audience as metaphor, creates more than one disorientation. Hence, it is fair to reiterate, how the misunderstanding of a theatre’ssupremacy, in the context of the Italian avant-garde, generates a brilliant paradox which leads to a revaluation, in the light of Performance Studies, of theatricality of movement founded by Marinetti.
URI: https://sinestesieonline.it/wp-content/uploads/2023/05/22_Sinestesieonline39_Tomasello.pdf
http://elea.unisa.it/xmlui/handle/10556/7590
ISSN: 2280-6849
Appears in Collections:Sinestesieonline. Anno 12, no. 39 (Maggio 2023)

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