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Campo DC	Valore	Lingua
dcterms.contributor.author	Irene, Zanot
dc.date.accessioned	2024-12-16T11:31:07Z
dc.date.available	2024-12-16T11:31:07Z
dc.date.created	2024
dcterms.identifier.citation	Zanot, Irene ''Touchez pas au grisbi, «touchez pas à l’argot!»: Simonin dialoguiste de lui-même''. «Testi e linguaggi» 18, (2024): 184-192. [Studi monografici La variazione delle lingue romanze tra ricerca linguistica e letteraria]	it_IT
dcterms.identifier.isbn	978-88-290-2470-4	it_IT
dcterms.identifier.issn	1974-2886	it_IT
dcterms.identifier.uri	http://elea.unisa.it/xmlui/handle/10556/7822
dc.description.abstract	In recent years, new fields of inquiry have opened up for argotologues: in fact, films also bear witness to “the evolution of argot”, as theorized by Goudailler (2006). The case of Touchez pas au grisbi (1954) seems very interesting, since the dialogue writer of this cult, Albert Simonin, is the author of the homonymous work which inspired Jacques Becker. A great connoisseur of the life of the milieu, Simonin works with the filmmaker on the adaptation of the first book of the trilogy dedicated to Max le Menteur, a prototype of the French gangster which marks a new stage for the detective genre. The writer takes up the challenge of transposing a “hyper-argotisant” text (François, 1975) by adopting some “procédés d’intégration stylisti- que” (Sourdot 2006) which prove even more effective than the means which he used to familiarize the readers of his novel with the language of the milieu.	it_IT
dcterms.format.extent	P. 184-192
dc.language.iso	fr	it_IT
dcterms.publisher.alternative	Roma: Carocci	it_IT
dcterms.source	UniSa. Sistema Bibliotecario di Ateneo	it_IT
dcterms.subject	Simonin	it_IT
dcterms.subject	Becker	it_IT
dcterms.subject	Argot	it_IT
dcterms.subject	Grisbi	it_IT
dcterms.title	Touchez pas au grisbi, «touchez pas à l’argot!»: Simonin dialoguiste de lui-même	it_IT
dcterms.type	Journal Article	it_IT
dc.relation.ispartofjournal	Testi e linguaggi	it_IT
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