Please use this identifier to cite or link to this item: http://elea.unisa.it/xmlui/handle/10556/8285
Full metadata record
DC FieldValueLanguage
dc.date.accessioned2025-06-16T10:01:13Z
dc.date.available2025-06-16T10:01:13Z
dc.description.abstractAt the beginning of the XX century, Naples and Southern Italy in general have been experiencing high level of emigration, especially to North America. Many neighbourhoods called ‘Little Italy’ were formed in the United States as well as in Canada. Notably, these immigrants, in an attempt to maintain a link with their homeland, found foothold in the ancient and deep-rooted Neapolitan traditions including music (opera), theatre and the figurative arts. Thereafter, Neapolitan song (“Canzone Napoletana”) became a tool to remain Italian for those who were now permanently linked to their status as immigrants and who tried to export some aspects of their cultural roots.
dc.language.isoenit_IT
dc.relation.ispartofjournalIura & Legal Systemsit_IT
dc.identifier.citationRiccio, G. M., Pezza, F. "Canzone Napoletana”: the controversial roots of a powerful identity tool". Iura and Legal Systems, XII.2025/2, C (7): 92-103it_IT
dc.title“Canzone Napoletana”: the controversial roots of a powerful identity toolit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.contributor.authorRiccio, Giovanni Maria
dc.contributor.authorPezza, Federica
dc.date.issued2025
dc.identifier.urihttp://www.rivistagiuridica.unisa.it/indexit_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/8285
dc.typeJournal Articleit_IT
dc.format.extentP. 92-103it_IT
dc.identifier.issn2385 - 2445it_IT
Appears in Collections:Iura & Legal Systems. Volume--12, n. 2 (Aprile - Giugno 2025)

Files in This Item:
File Description SizeFormat 
int_25_2_riccio_rezza_pronto.pdfIura & Legal Systems, XII.2025/2, C (7): 92-103421.23 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.