Unveiling Oppression: Ibsen's Feminist Lens on Gender Inequality in Pakistan

Abstract

Henrik Ibsen’s plays such as A Doll’s House, Ghosts, and Hedda Gabler critique patriarchal norms and advocate for women's empowerment. These themes resonate strongly in Pakistan, where women face significant social and cultural oppression. The plays' focus on female self-identity and liberation parallels ongoing struggles for women's rights in Pakistan. With the country ranking 164 out of 167 on the Women, Peace, and Security Index, the issue remains critical. Cases like Qandeel Baloch highlight the dangers faced by vocal women. This article explores how Ibsen’s feminist narratives challenge patriarchal structures and encourage discourse on gender equality.