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Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo

dcterms.contributor.authorPagani, Ileana
dc.date.accessioned2014-02-21T09:34:01Z
dc.date.available2014-02-21T09:34:01Z
dcterms.date.issued2013
dcterms.identifier.citationPagani, Ileana. “Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo.” «Testi e linguaggi» 7(2013): 23-62. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]en_US
dcterms.identifier.issn1974-2886en_US
dcterms.identifier.urihttp://hdl.handle.net/10556/1127
dcterms.identifier.urihttp://dx.doi.org/10.14273/unisa-17
dc.description.abstractThe Planctus virginum Israel super filia Iepte Galadite is the best known of six poems for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration of some significant moments in the patristic and medieval Latin tradition of reworking and commentary of the biblical episode which is the subject of the planctus (Judges 10-12), reveals Abelard’s peculiar approach as a reflection of his view of feminine sanctity. Moreover, analysis of the planctus highlights the complexity of its structure: the story, framed by the mimesis of a commemorative liturgical celebration, unfolds partly in narrative, partly in dialogical form, constantly stressing its visual and dramatic dimension.
dcterms.format.extentP. 23-62en_US
dc.language.isoiten_US
dcterms.publisher.alternativeRoma : Carocci
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoen_US
dcterms.subjectAbelard
dcterms.subjectMiddle Ages
dcterms.subjectBible
dcterms.titleTra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardoen_US
dcterms.typeArticleen_US
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