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dc.contributor.authorPistoia, Marco
dc.date.accessioned2014-02-21T09:46:22Z
dc.date.available2014-02-21T09:46:22Z
dc.date.issued2013
dc.identifier.citationPistoia, Marco. “L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema.” «Testi e linguaggi» 7(2013): 109-122. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]en_US
dc.identifier.issn1974-2886en_US
dc.identifier.urihttp://hdl.handle.net/10556/1131
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-21
dc.description.abstractThe knowledge and the fortune of Charles Dickens’s works are also due to the beautiful illustrations of his short and long novels. The illustrations – painted by Cruikshank, Phiz, Leech – were reproduced as slides for the Magic Lantern. But, since the beginning of the Twentieth Century, cinema was the main medium of Dickens’ s fortune all over the world. This study tries to connect the several passages from one form – for instance the book illustrations – to another – the slides for the Magic Lantern, up to the cinematographic frames. The analysis of some interesting films of the silent era and – especially – of the beginning of cinema and their relationships with the diversified ‘world’ of other images, is the focus of this study.en_US
dc.format.extentP. 109-122en_US
dc.language.isoiten_US
dc.publisherRoma : Carocci
dc.sourceUniSa. Sistema Bibliotecario di Ateneoen_US
dc.subjectDickens
dc.subjectIllustrations
dc.subjectFilm
dc.titleL’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinemaen_US
dc.typeArticleen_US
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