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Maschere del genio fra Pirandello, Ugo Fleres, Capuana, Livia De Stefani
In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, ...
Sull’ultimo romanzo di Pirandello
Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s testamentary novel, a breathless and more or less conscious experiment of self-analysis as well as of self-therapy». The protagonist’s ...
Pirandello e Ibsen nel perimetro di scena ronconiano
(Avellino : Associazione culturale Sinestesie, 2018)
Ibsen and Pirandello represent two pillars of the great bourgeois theatre between the XIX and XX centuries. Their works have always been subject to critical analysis and theatrical representation, in particular, Gengångare ...
Il diario quotidiano di un attore: i taccuini di Ruggero Ruggeri
(Avellino : Associazione culturale Internazionale Sinestesie, 2019)
The long career of Ruggero Ruggeri started in the late Naturalism and finished at the beginning of the 1950s without knowing crisis or setbacks. During this period the old Italian theatre was replaced by a new role acquired ...