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Items 1-20 di 819

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      Arab-Muslim theatre defended 

      Hinda, Abdeladim (2018)
      This article re-visits Greek and Arab-Muslim theatres from the avant-garde perspective to illuminate the aesthetics of theatre to which scholars in the School of Orientalism and the School of Arab Intelligentsia should ...
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      Desenmascaramiento, inmigración y neo-grotesco criollo: una aproximación a anclado en Madrid de Roberto Ibáñez 

      Pensa, Mariana (2018)
      This paper is an analysis of Anclado en Madrid (1991), written by the Argentinean playwright and actor Roberto Ibanez. It focuses on how elements from the “grotesco criollo” tradition from the beginning of the XX Century ...
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      Reading Frantz Fanon’s The Wretched of The Earth (1965) as a Social Drama Performance 

      Gada, Said (2018)
      The present paper focuses on the process of performance, which takes the center of the stage in Frantz Fanon’s The Wretched of the Earth (1965). The author’s presentation of the conceptual features of Enlightenment in ...
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      Il ruolo delle illustrazioni o fotografie all’interno dei libretti di sala dei lavori teatrali di Glauco Mauri 

      Citro, Carmela (2018)
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      Vicente Barra, Il cammino che non c’è (2012), Salerno…il cammino ritrovato (2015), Salerno…perché non è Compostela… (2017): una trilogia : [recensione] 

      Granese, Alberto (2018)
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      «Ich steig’ an’s Land, nicht ohne Furcht und Zagen», ovvero L’arrivo A Venezia di August Von Platen e L’inizio dei sonetti veneziani 

      Spazzarini, Serena (2018)
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      Il potere evocativo dell’immagine nel bestiario pirandelliano 

      Serafini, Carlo (2018)
      Pirandello’s interest in animals is evident in the narrative, in the early poems and in the plays. There is no shortage of critical juxtapositions to the fable and to Aesop, and in the critical literature of Pirandello ...
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      Sull’ultimo romanzo di Pirandello 

      Mauro, Carlangelo (2018)
      Giancarlo Mazzacurati defined One, No One and a Hundred Thousand, as Pirandello’s testamentary novel, a breathless and more or less conscious experiment of self-analysis as well as of self-therapy». The protagonist’s ...
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      «Fatti da raccontare»: Piero Chiara fra realtà e finzione 

      Marzano, Pasquale (2018)
      The essay deals with Piero Chiara’s method of work, always relying upon the reality, from which the writer takes his characters’ names and the facts described in his short stories and novels. As a specimen of a similar ...
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      Allegorie del moderno. Le passeggiate urbane di Bontempelli 

      De Villi, Agata Irene (2018)
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      Il fischio che riforma: eredità del Mefistofele di Boito 

      De Michelis, Ida (2018)
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      Il circolo di Cambridge: dantismo e follia 

      Cotugno, Anna Maria (2018)
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      Un giallo italiano all’origine della ripresa del culto dantesco 

      Cotugno, Anna Maria (2018)
      In the essay, the author conducts an intertextual inquiry that highlights the terms of the ‘dialogue’ between ancient and modern, in which Dante’s Comedy invariably returns a source the source, always alive and current, ...
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      Per un profilo di Giovanni Mestica 

      Corsalini, Giulia (2018)
      The essay reconstructs a profile of Giovanni Mestica, professor, literary critic and man of institutions, referring above all to the commitment to promote the memory and knowledge of Giacomo Leopardi and his work.
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      Edipo Re. Edipo a Colono. Il faticoso viaggio dell’uomo alla ricerca della verità. Da Sofocle a Glauco Mauri 

      Citro, Carmela (2018)
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      La storia del romanzo italiano di Gino Tellini 

      Granese, Alberto (2018)
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      Nella biblioteca di un poeta. Pier Paolo Pasolini con i libri della sua vita 

      Fàvaro, Angelo (2018)
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      «Ad occhi chiusi». Lacan (non) legge Poe 

      Anglani, Bartolo (2018)
      This paper muses on the famous Séminaire sur «La lettre volée» held by Jacques Lacan on April 26, 1955, and published in the first volume of Écrits (1966). According to such an analysis, Lacan isolated this narrative from ...
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      Maschere del genio fra Pirandello, Ugo Fleres, Capuana, Livia De Stefani 

      Bombara, Daniela (2018)
      In an article titled Sincerità (Ariel, 1898) Pirandello criticizes the artistic simulation, particularly the theft of other authors’ motifs and ideas. On the same topic Pirandello’s friend Ugo Fleres writes a novel, L’Anello ...
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      Lo scontro tragico tra natura e tecnologia ne La Principessa Mononoke 

      Quinto, Matteo (Avellino : Associazione culturale Sinestesie, 2018)
      This paper aims at analysing the relationship between Nature and Technology in Princess Mononoke by Hayao Miyazaki. This complex relationship appears in many works of the director and it constitutes the key point in Princess ...
      EleA themes by Ugsiba
       

       

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