| dcterms.contributor.author | Laudando, Carmela Maria | |
| dc.date.accessioned | 2019-07-11T08:18:35Z | |
| dc.date.available | 2019-07-11T08:18:35Z | |
| dcterms.date.issued | 2015 | |
| dcterms.identifier.citation | Laudando, C. Maria, “Intrecci ricreativi tra testo e performance.” «Testi e linguaggi» 9(2015): 67-81. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano] | it_IT |
| dcterms.identifier.isbn | 978-88-430-8039-7 | it_IT |
| dcterms.identifier.issn | 1974-2886 | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3375 | |
| dcterms.identifier.uri | http://dx.doi.org/10.14273/unisa-1622 | |
| dc.description.abstract | Whether ubiquitously invoked as “travelling concepts” in the fluid “post-age” scenario of global and
digital interactions or denigrated as inflationary and all-too-fashionable labels, performance and
performativity have increasingly, even perhaps equivocally, contributed to a radical reconfiguration
of identity and culture in terms of living, embodied practices and contingent, situated events, thus
calling for a renewed interest in the ways in which texts «do things with words». Starting from this
fluid and contested framework, my paper draws on what Dwight Conquergood calls the «heuristic
potential» of performance in order to discuss both his meta-disciplinary reflections and his specific
analysis of the elocutionary dimension of literary and cultural communication. His sustained focus
on the tense intersections between narrative and “vocal embodiment” and his own formation in the
field of “oral interpretation” may prove fruitful to reflect on how deeply both literary production
and reception are inextricably embedded in the performativity of the human voice, thus urging to
discard the hegemony of abstract text-centric paradigms but without ignoring the cultural and historical
density of such ephemeral elocutionary, re-citational practices. The final part of the paper briefly
points to the crucial question of agency and affect implicated in the performativity of any language as
artfully staged in Toni Morrison’s Nobel Prize Speech and Lecture. | it_IT |
| dcterms.format.extent | P. 67-81 | it_IT |
| dc.language.iso | it | it_IT |
| dcterms.publisher.alternative | Roma : Carocci | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.title | Intrecci ricreativi tra testo e performance | it_IT |
| dcterms.type | Journal Article | it_IT |
