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dc.contributor.authorTomasello, Dario
dc.date.accessioned2019-07-11T08:24:26Z
dc.date.available2019-07-11T08:24:26Z
dc.date.issued2015
dc.identifier.citationTomasello, Dario, “Della performatività. Come il cognitive turn ha cambiato la prospettiva degli studi letterari.” «Testi e linguaggi» 9(2015): 57-65. [Studi monografici. Dimensioni del performativo, a cura di Flora de Giovanni e Lucia Perrone Capano]it_IT
dc.identifier.isbn978-88-430-8039-7it_IT
dc.identifier.issn1974-2886it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3376
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1623
dc.description.abstractThe yearning for performance does not lie so much in Austin’s speech acts, but rather in the performative peculiarity of our neurobiological perception. In this scenario, considering the dialogue between cognitive scientists and literary scholars, it can be assumed that narrativity could performatively represent a mediation between the simulation and the “theory of mind”. The narrativization of behaviour, backed by an explicit reference to the embodied mind and, implicitly, to Goffman’s, Schechner’s and Turner’s studies on the performance, determines increasingly pervasive attention to the ability to configure a plot, even in a phylogenetic perspective.it_IT
dc.format.extentP. 57-65it_IT
dc.language.isoitit_IT
dc.publisherRoma : Carocciit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleDella performatività Come il cognitive turn ha cambiato la prospettiva degli studi letterariit_IT
dc.typeJournal Articleit_IT
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