| dcterms.contributor.author | Montella, Luigi | |
| dc.date.accessioned | 2019-07-15T09:29:14Z | |
| dc.date.available | 2019-07-15T09:29:14Z | |
| dcterms.date.issued | 2017 | |
| dcterms.identifier.citation | Montella, Luigi. "L’antirealismo della poesia lirico-elegiaca nel Seicento." Sinestesie, XV, n. 1 (2017): 97-108 | it_IT |
| dcterms.identifier.isbn | 978-88-99541-80-4 | it_IT |
| dcterms.identifier.isbn | 978-88-99541-81-1 (ebook) | |
| dcterms.identifier.issn | 1721-3509 | it_IT |
| dcterms.identifier.uri | https://www.sinestesierivistadistudi.it/ | it_IT |
| dcterms.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3434 | |
| dcterms.identifier.uri | http://dx.doi.org/10.14273/unisa-1675 | |
| dc.description.abstract | It is analyzed the relationship between the ways of “making poetry” and
the thought which dominates much of the Seventeenth Century. The slow
decline of the parameters set by Bembo is documented by taking in consideration
the innovative crossings of the Sixteenth Century opera, bringing in
close contact the formal structures with the new exegetic instances and the
changed cognitive order. Facing the composite universe of the baroque poetry,
De Sanctis remains hesitant, being himself strictly attached to the criteria of
his romantic spirit which directed him towards a pure realism, far from any
speculative aspect. Finally, the two universes interact in the light of a complex
and different vision of modernity. | |
| dcterms.format.extent | P. 97-108 | it_IT |
| dc.language.iso | it | it_IT |
| dcterms.publisher.alternative | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dcterms.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dcterms.title | L’antirealismo della poesia lirico-elegiaca nel Seicento | it_IT |
| dcterms.type | Journal Article | it_IT |
