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dc.contributor.authorD’Amico, Flavia Dalila
dc.date.accessioned2019-07-22T11:03:19Z
dc.date.available2019-07-22T11:03:19Z
dc.date.issued2017
dc.identifier.citationD’Amico, Flavia Dalila. "Il corpo come luogo di memoria. Intervista a Chiara Bersani." Sinestesieonline, A. 6, no. 19 (Marzo 2017): 1-8it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2018/03/marzo2017-17.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3632
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-1862
dc.description.abstractQuesta intervista all’artista Chiara Bersani nasce dall’urgenza di confronto tra le teorie e le ridefinizioni estetiche delle pratiche artistiche. Mentre infatti gli artisti sfidano le rappresentazioni e le concezioni di salute, corpo, identità e soggettività comunemente accettate, la critica teatrale non si è ancora attrezzata con strumenti metodologici e linguistici adeguati per interpretare, nominare e riconoscere quanto la scena – teatrale e filosofica – va riformulando. This interview with the artist Chiara Bersani is supported by the urgency of a confrontation between the theories and the aesthetic redefinitions of the artistic practice. In fact, while the artists challenge the commonly accepted representations and concepts of health, body, identity and subjectivity, the theatre criticism is not yet equipped with adequate – methodologic and linguistic – instruments in order to interpret, designate and recognize the progressive reformulation of the theatrical and philosophical scene.
dc.description.abstractThis interview with the artist Chiara Bersani is supported by the urgency of a confrontation between the theories and the aesthetic redefinitions of the artistic practice. In fact, while the artists challenge the commonly accepted representations and concepts of health, body, identity and subjectivity, the theatre criticism is not yet equipped with adequate – methodologic and linguistic – instruments in order to interpret, designate and recognize the progressive reformulation of the theatrical and philosophical scene.
dc.format.extentP. 1-7it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectCorpo
dc.subjectTeatro
dc.subjectSoggetto
dc.subjectIdentità
dc.subjectDisability studies
dc.titleIl corpo come luogo di memoria. Intervista a Chiara Bersaniit_IT
dc.typeJournal Articleit_IT
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