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dc.contributor.authorOlivieri, Claudia
dc.date.accessioned2019-12-06T12:31:05Z
dc.date.available2019-12-06T12:31:05Z
dc.date.issued2017
dc.identifier.citationOlivieri, C. Medici, “Marleen” e militari. O della “Brava gente” al cinema. "Europa Orientalis", 36 (2017): 395-420it_IT
dc.identifier.issn0392-4580it_IT
dc.identifier.urihttp://www.europaorientalis.it/it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4003
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2222
dc.description.abstractThe subject of the article is the film Attack and Retreat, the first Italian-Soviet film in co-production, signed by the director Giuseppe De Santis. In particular, I would like to point out the differences between the film and the original script and the numerous scripts by Sergei Smirnov and De Santis himself, preserved both in Moscow and Rome. Corrections, cuts and compromises show that writing a text that would bring Russians and Italians in agreement was not easy; the diversity of views reflected the delicate economic, political and cultural balances between the two countries at the time. The analisis of the various scrips allows us to recognize their literary value and understand the mechanisms with which ideology becomes literatureit_IT
dc.format.extentP. 395-420it_IT
dc.language.isoitit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectCinema and cultureit_IT
dc.subjectItaly-Russia relationshipsit_IT
dc.subjectDe Santisit_IT
dc.titleMedici, “Marleen” e militari. O della “Brava gente” al cinemait_IT
dc.typeJournal Articleit_IT
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