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dc.contributor.authorBellini, Anna Paola
dc.date.accessioned2020-01-08T14:50:30Z
dc.date.available2020-01-08T14:50:30Z
dc.date.issued2019
dc.identifier.citationBellini, Anna Paola, "Arte e memoria. La testimonianza artistica della deportazione." Sinestesieonline, A. 8, no. 26 (Maggio 2019) : 27-34it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/06/maggio2019-03.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4058
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2275
dc.description.abstractThis paper proposes a comparative analysis between the different theses of deported artists (some of whom survived) who managed to produce drawings during their detention in the Nazi’s camps. Some of them said they drew for an artistic, rather than a testimonial need. The comparison between two of these arguments will lead us to question aesthetics categories and status of these graphic testimonies of one of the best known events in human history.it_IT
dc.format.extentP. 27-34it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectCampi nazistiit_IT
dc.subjectDisegniit_IT
dc.subjectMemoriait_IT
dc.subjectArteit_IT
dc.titleArte e memoria. La testimonianza artistica della deportazioneit_IT
dc.typeJournal Articleit_IT
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