| dc.contributor.author | Del Gado, Juan | |
| dc.contributor.author | Gomis, Elsa | |
| dc.date.accessioned | 2020-02-04T10:39:51Z | |
| dc.date.available | 2020-02-04T10:39:51Z | |
| dc.date.issued | 2019 | |
| dc.identifier.citation | Del Gado, J. & Gomis, E.C. (2019). A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge-JMK, 4(2), 223-233. DOI: 10.26409/2019JMK4.2.14 | it_IT |
| dc.identifier.issn | 2499-930X | it_IT |
| dc.identifier.uri | http://www.mediterraneanknowledge.org/publications/index.php/journal/issue/archive | it_IT |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/4118 | |
| dc.identifier.uri | http://dx.doi.org/10.26409/2019JMK4.2.14 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-2327 | |
| dc.description.abstract | This is a conversation between Juan del Gado and Elsa Gomis about their respective films. Juan del Gado has made the film Altered Landscapes (2016), which is the first part of a cinematically projected triptych entitled Drifting Narratives. Elsa Gomis has produced the film The People behind the Scenes (2019), a full-length film, which builds on interviews and memory work and address current visual representations of migration by the Mediterra-nean. | it_IT |
| dc.format.extent | P. 223-233 | it_IT |
| dc.language.iso | en | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.subject | Film | it_IT |
| dc.subject | Refugees | it_IT |
| dc.subject | Mediterranean | it_IT |
| dc.subject | Representation | it_IT |
| dc.subject | Migration | it_IT |
| dc.title | A Conversation on Cinematic Representation and Resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis | it_IT |
| dc.type | Journal Article | it_IT |
