dc.contributor.author | Visinoni, Alessandra | |
dc.date.accessioned | 2020-05-19T06:46:59Z | |
dc.date.available | 2020-05-19T06:46:59Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Visinoni, A. Intellettuali e artisti russi all’Accademia Carrara di Bergamo tra Otto e Novecento. "europa orientalis", 37 (2018): 159-172 | it_IT |
dc.identifier.issn | 0392-4580 | it_IT |
dc.identifier.uri | http://www.europaorientalis.it/ | it_IT |
dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/4437 | |
dc.identifier.uri | http://dx.doi.org/10.14273/unisa-2639 | |
dc.description.abstract | This article is meant to be a contribution to the deepening of Italian-Russian
cultural relations between the nineteenth and early twentieth century. The
attention will focus on the impressions that Accademia Carrara of Bergamo
and its painting gallery aroused in the souls of some of the greatest Russian
artists and intellectuals of the time. Through the analysis of memories and
letters, published and unpublished, we will proceed to the identification of
the works actually admired by travelers. We will examine, in particular, the
testimonies of the scholar Fëdor Čižov (1811-1877), the poet Vasilij Žukovskij (1783-1852), the painter Aleksandr Ivanov (1806-1858) and the writer
and art historian Pavel Pavlovič Muratov (1881-1950), whose admiration for
the works of art kept at the Carrara painting gallery is attested in the famous
book Images of Italy (1911-1912). | |
dc.format.extent | P. 159-172 | it_IT |
dc.language.iso | it | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.subject | Russian artists | it_IT |
dc.subject | intelligentsiya | it_IT |
dc.subject | Italian-Russian cultural relations | it_IT |
dc.title | Intellettuali e artisti russi all’Accademia Carrara di Bergamo tra Otto e Novecento | it_IT |
dc.type | Article | it_IT |