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dc.contributor.authorBroccio, Emanuele
dc.date.accessioned2020-11-16T14:40:09Z
dc.date.available2020-11-16T14:40:09Z
dc.date.issued2020
dc.identifier.citationBroccio, Emanuele, "Figure dell’abiezione. corpi che contano nel teatro di Annibale Ruccello". Sinestesieonline, A. 9, no. 28 (Gennaio 2020): 1-7it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2020/02/gennaio2020-01.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/4813
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2995
dc.description.abstractThis study offers an analysis of the play The Five Roses of Jennifer(1980) by Annibale Ruccellofrom a gender studies perspective. Recognised as the moment of affirmation of the author's dramaturgical originality, this play has been at the centre of debate not only for its peculiar relationship with Neapolitan theatrical tradition, but also for the intertextual references to the English stage production. Within this debate, Jennifer and her story have been interpreted, from time to time, as the allegory of Naples decadence. The analysis proposed here aims to read the story focusing on the(trans)gender identity of the protagonist, and to detect those textual elements that prevent her from finding an upstanding space of existence, thus relegating her into abjection. After taking into consideration the importance of the protagonist’s performances linked to the drag world, the research will contextualize her exclusion from society and consequent suicide. This death is the sad result of a toxic hetero normative environment in which the text itself was conceived and staged.it_IT
dc.format.extentP. 1-7it_IT
dc.language.isoitit_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectAbiezioneit_IT
dc.subjectTravestitismoit_IT
dc.subjectStraniamentoit_IT
dc.subjectPopit_IT
dc.titleFigure dell’abiezione. corpi che contano nel teatro di Annibale Ruccelloit_IT
dc.typeJournal Articleit_IT
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