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dc.contributor.authorIsaev, Egor M. <National Research University Higher School of Economics, Moscow, Russia>
dc.date.accessioned2022-04-07T16:05:17Z
dc.date.available2022-04-07T16:05:17Z
dc.date.issued2018
dc.identifier.citationEgor M. Isaev, Politics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil War, «International Public History», 1, 2018, n. 2, pp. 1-4it_IT
dc.identifier.issn2567-1111it_IT
dc.identifier.urihttps://doi.org/10.1515/iph-2018-0019it_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/5960
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-4055
dc.description.abstractThis article discusses the representation of the era of the October Revolution and the Civil War in contemporary Russian popular cinema. It describes the modern tools used by the state to create new images of the past and to reconstruct history in Russian popular culture. It also considers how Russian society has reacted to this official discourseit_IT
dc.format.extentP. 1-4it_IT
dc.language.isoenit_IT
dc.publisherE.M. Isaev, Politics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil War, «International Public History», 1, 2018, n. 2, pp. 1-4it_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectPolitics of memoryit_IT
dc.subjectCultural policyit_IT
dc.subjectPublic historyit_IT
dc.subjectRussian cinemait_IT
dc.titlePolitics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil Warit_IT
dc.typeArticleit_IT
dc.relation.ispartofjournalInternational Public Historyit_IT
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