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dc.contributor.authorShokri, Homa
dc.date.accessioned2024-09-16T09:33:13Z
dc.date.available2024-09-16T09:33:13Z
dc.date.issued2022-01
dc.identifier.citationHoma Shroki. "The recreation of the concept of communal self-consciousness based on Wagner’s music-drama." Sinestesieonline. Anno 11, no. 34 (Gennaio 2022): 1-28it_IT
dc.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2022/02/gennaio2022-11.pdfit_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7333
dc.description.abstractFrom ancient times until today, enhancing consciousness in the public has been one of the most fundamental goals in tragedies. Throughout history, artists have tried to make ways through tragedy to be able to represent their viewpoints concerning art and politics. In the nineteenth century, Richard Wagner, years after the extinction of the Greek tragedy, found out that the path of enhancing self-consciousness in society lies only through tragedy. The creation a new location (Bayreuth) along with a complex of arts (Total artwork – Gesamtkunstwerk), had made a specific situation for the German public in the nineteenth century to be able to have mental and physical interaction. Wagner’s success in these goals in the public is an important matter which will be studied in this research, concerning the socio-political and cultural conditions in nineteenth century Germany.it_IT
dc.language.isoenit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectWagnerit_IT
dc.subjectRomanticismit_IT
dc.subjectSchellingit_IT
dc.subjectTotal artworkit_IT
dc.subjectThe ring of Nibelungit_IT
dc.subjectOperait_IT
dc.subjectSelf-consciousnessit_IT
dc.subjectHegelit_IT
dc.titleThe recreation of the concept of communal self-consciousness based on Wagner’s music-dramait_IT
dc.typeArticleit_IT
dc.relation.ispartofjournalSinestesieonlineit_IT
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