dc.contributor.author | Shokri, Homa | |
dc.date.accessioned | 2024-09-16T09:33:13Z | |
dc.date.available | 2024-09-16T09:33:13Z | |
dc.date.issued | 2022-01 | |
dc.identifier.citation | Homa Shroki. "The recreation of the concept of communal self-consciousness based on Wagner’s music-drama." Sinestesieonline. Anno 11, no. 34 (Gennaio 2022): 1-28 | it_IT |
dc.identifier.uri | https://sinestesieonline.it/wp-content/uploads/2022/02/gennaio2022-11.pdf | it_IT |
dc.identifier.uri | http://elea.unisa.it/xmlui/handle/10556/7333 | |
dc.description.abstract | From ancient times until today, enhancing consciousness in the public has been one of the most fundamental
goals in tragedies. Throughout history, artists have
tried to make ways through tragedy to be able to represent their viewpoints concerning art and politics. In the
nineteenth century, Richard Wagner, years after the extinction of the Greek tragedy, found out that the path of
enhancing self-consciousness in society lies only
through tragedy. The creation a new location (Bayreuth) along with a complex of arts (Total artwork –
Gesamtkunstwerk), had made a specific situation for
the German public in the nineteenth century to be able
to have mental and physical interaction. Wagner’s success in these goals in the public is an important matter
which will be studied in this research, concerning the socio-political and cultural conditions in nineteenth century Germany. | it_IT |
dc.language.iso | en | it_IT |
dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
dc.subject | Wagner | it_IT |
dc.subject | Romanticism | it_IT |
dc.subject | Schelling | it_IT |
dc.subject | Total artwork | it_IT |
dc.subject | The ring of Nibelung | it_IT |
dc.subject | Opera | it_IT |
dc.subject | Self-consciousness | it_IT |
dc.subject | Hegel | it_IT |
dc.title | The recreation of the concept of communal self-consciousness based on Wagner’s music-drama | it_IT |
dc.type | Article | it_IT |
dc.relation.ispartofjournal | Sinestesieonline | it_IT |