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dc.contributor.authorCatanese, Rossella <Università degli Studi della Tuscia>
dc.contributor.authorPetrucci, Chiara <Università degli Studi della Tuscia>
dc.date.accessioned2024-09-30T11:12:33Z
dc.date.available2024-09-30T11:12:33Z
dc.date.issued2024
dc.identifier.citationRossella Catanese, Chiara Petrucci, Rimediazione degli archivi di film: Digital Humanities e patrimonio audiovisivo, «Magazén», 5, 2024, n. 1, pp. 37-54it_IT
dc.identifier.urihttps://edizionicafoscari.it/it/edizioni4/riviste/magazen/2024/1/rimediazione-degli-archivi-di-film-digital-humanit/it_IT
dc.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7434
dc.description.abstractThe curatorship of audiovisual archival collections is currently influenced by the challenges of digital technologies. Integrating these technologies can open new horizons in accessing, preserving, and enhancing audiovisual materials, yet it also introduces significant ethical challenges. For instance, greater accessibility to audiovisual heritage enables a broader audience to explore archives’ resources through new distribution models driven by technological, economic, institutional, and cultural changes. However, these changes require a mindful approach in selecting the materials, with ongoing reflections on sustainability and obsolescence.it_IT
dc.format.extentP. 37-54it_IT
dc.language.isoitit_IT
dc.publisherR. Catanese, C. Petrucci, Rimediazione degli archivi di film: Digital Humanities e patrimonio audiovisivo, «Magazén», 5, 2024, n. 1, pp. 37-54it_IT
dc.rightsCC BYit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.titleRimediazione degli archivi di film: Digital Humanities e patrimonio audiovisivoit_IT
dc.typeJournal Articleit_IT
dc.identifier.e-issn2724‑3923it_IT
dc.identifier.doihttp://doi.org/10.30687/mag/2724-3923/2024/01/002it_IT
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