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dcterms.contributor.authorHazra, Kaushiky
dc.date.accessioned2024-10-10T10:09:54Z
dc.date.available2024-10-10T10:09:54Z
dcterms.date.issued2023
dcterms.identifier.citationHazra, Kaushiky. Contextualizing Rāmavijaya Within and Beyond the Tradition of Indian Dramaturgy, as Prescribed by the Nāṭyaśāstra, Sinestesieonline, A. 12, no. 38 (Gennaio 2023): 2-7it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2023/01/SINESTESIEONLINE_Il-parlaggio_Hazra.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7528
dc.description.abstractThe Indian performative space is a diverse and varied one. Historically and culturally, there have coexisted various forms of performances, be it the Sanskrit classical plays or the traditional performances emerging from the local or the community. Central to the aesthetics of Indian theatre and performance laid the 2000- year-old Nāṭyaśāstra, often compared to Aristotle’s Poetics. This paper will examine one such traditional performance, Rāmavijaya, belonging to the tradition of Ankiyabhaonas in medieval Assam and will locate it within the context of the Nāṭyaśāstra, the canonical guidebook to Indian dramaturgy.it_IT
dcterms.format.extentP. 2-7it_IT
dc.language.isoenit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.rightsCC BY 4.0it_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectIndian Performanceit_IT
dcterms.subjectNāṭyaśāstrait_IT
dcterms.subjectRāmavijayait_IT
dcterms.subjectAnkiyabhaonait_IT
dcterms.titleContextualizing Rāmavijaya Within and Beyond the Tradition of Indian Dramaturgy, as Prescribed by the Nāṭyaśāstrait_IT
dcterms.typeJournal Articleit_IT
dc.relation.ispartofjournalSinestesieonline. Periodico quadrimestrale di letteratura e arti della modernitàit_IT
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