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Survoler le jeu du comédien contemporain entre texte et performance

dcterms.contributor.authorHussein, Mai
dc.date.accessioned2024-10-10T10:34:44Z
dc.date.available2024-10-10T10:34:44Z
dcterms.date.issued2023
dcterms.identifier.citationHussein, Mai. Survoler le jeu du comédien contemporain entre texte et performance, Sinestesieonline, A. 12, no. 38 (Gennaio 2023): 2-23it_IT
dcterms.identifier.issn2280-6849it_IT
dcterms.identifier.urihttps://sinestesieonline.it/wp-content/uploads/2023/01/SINESTESIEONLINE_Il-Parlaggio_Hussein.pdfit_IT
dcterms.identifier.urihttp://elea.unisa.it/xmlui/handle/10556/7533
dc.description.abstractRising from a collaboration between Stanislavski and Brecht, this study explores how the contempo rary theater, in its textual and scenic structures, requires a new type of an actor who had to reme diate the gap between text and representation. To reflect the new type of “stage writing” and per formative forms, the actor’s body becomes a mean of expression, a blank page that captures all signs and translates them to the spectator by the medi ation of the “performed words” and gestures crossing it.it_IT
dcterms.format.extentP. 2-23it_IT
dc.language.isoenit_IT
dcterms.publisher.alternativeAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.rightsCC BY 4.0it_IT
dcterms.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dcterms.subjectPerformanceit_IT
dcterms.subjectDistanciationit_IT
dcterms.subjectFragmentationit_IT
dcterms.subjectPostmodernismit_IT
dcterms.titleSurvoler le jeu du comédien contemporain entre texte et performanceit_IT
dcterms.typeJournal Articleit_IT
dc.relation.ispartofjournalSinestesieonline. Periodico quadrimestrale di letteratura e arti della modernitàit_IT
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