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Gender and Cross-dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare
(Roma : Carocci, 2013)
Is there a woman in Shakespeare? This might sound facetious, but it is not so outlandish
in the context of boy actors. Elizabethan drama was after all designed and stagemanaged
by men mostly for men. In this context, is ...
Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo
(Roma : Carocci, 2013)
The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems
for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration
of some significant moments in the ...
Performative pop. Faserland (1995) di Christian Kracht
(Roma : Carocci, 2013)
Kracht’s first novel is about a trip through Germany. The first-person narrator, a semialcoholic
young man belonging to the upper class, travels from the north to the south of
the country; he spends his time going to ...
Memory and Performance in Dublin’s Art Scenario: Brian O’Doherty and Sebastian Barry
(Roma : Carocci, 2013)
In 2008 Brian O’Doherty buried his alter ego, Patrick Ireland, in Dublin, as a consequence
of peace having been restored in Northern Ireland. “We are burying hate”,
said the New York artist of Irish origin, “it’s not ...
Performing Dancing at Lughnasa on screen
(Roma : Carocci, 2013)
Considered one of the most representative playwrights in the contemporary Irish scene, Brian Friel offers in his plays a changeable and inconstant perception of language, where words are mainly understood as transitory and ...
Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega
(Roma : Carocci, 2013)
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are
of undeniable interest, as they provide the opportunity to observe closely the author’s
work of composition which resulted in the text to ...
Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina
(Roma : Carocci, 2013)
The contribution’s goal is to piece together the critical analysis project at the root of
Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969.
This preparatory path gives origin to a vast ...
O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history
(Roma : Carocci, 2013)
This paper deals with the continuing dialogue between dramatic text and audience,
while resorting to the tenets of reception theory. I have focused on the moral issues
resulting from the unfolding of dramatic action in ...
Dalla scena elisabettiana al teatro di figura: La tempesta di Shakespeare nella traduzione di Eduardo De Filippo
(Roma : Carocci, 2013)
In 1983, a year before his death, Eduardo De Filippo translates in seventeenth-century
Neapolitan language The Tempest by William Shakespeare (for the Einaudi publishing
house in the series Writers translated by writers), ...
Judith Schalansky, Lo splendore casuale delle meduse : [recensione]
(Roma : Carocci, 2013)