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Shakespeare’s Romeo and Juliet: theatricality of reality against true love? 

Loder, Conny (2013)
Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime ...
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Gender and Cross-dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare 

Cottegnies, Line (2013)
Is there a woman in Shakespeare? This might sound facetious, but it is not so outlandish in the context of boy actors. Elizabethan drama was after all designed and stagemanaged by men mostly for men. In this context, is ...
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«Unsex Me Here»: Bodies and Femininity in the Performance History of Lady Macbeth 

Phillips, Chelsea (2013)
Jenijoy La Belle argued that Lady Macbeth’s “unsex me here” speech expresses Lady Macbeth’s desire to be made more masculine through amenorrhea. This amenorrhea enables Duncan’s murder, but leaves her barren. La Belle’s ...
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«Music to Hear…»: da Shakespeare a Stravinsky 

Pfister, Manfred (2013)
Two of Shakespeare’s sonnets, 8 and 128, stage an intermedial dialogue between music and poetry. This has challenged a number of modern composers to respond with their own art, among them Igor Stravinsky with a so far ...
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Shakespeare’s language and the contemporary cinema audience 

Paterson, Ronan (2013)
Among the many difficulties which are encountered in realising the plays of Shakespeare for the screen, perhaps the greatest is the translation from a primarily verbal medium to a primarily visual one. The decisions made ...
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AutoreCottegnies, Line (1)Loder, Conny (1)Paterson, Ronan (1)Pfister, Manfred (1)Phillips, Chelsea (1)Soggetto
Shakespeare (5)
Actor/actress (1)Cavendish (1)Cross-dressing (1)Lady Macbeth (1)Language (1)Movies (1)Romeo and Juliet (1)Screen (1)Sonnets (1)... View MoreDate Issued
2013 (5)
Has File(s)Yes (5)
EleA themes by Ugsiba