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Raccontando «tristi storie della morte dei re».Testo, contesto e rappresentazioni del Riccardo II di Shakespeare 

Cata', Cesare (Roma : Carocci, 2013)
William Shakespeare’s Richard ii presents philosophical and political themes related to the history of England and a symbolical interpretation of the Wars of the Roses, on the one hand; and to the person of Queen Elizabeth ...
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‘Ich will nach Europa!’: lingua e performance in Perikızı. Ein Traumspiel di E. S. Özdamar 

Palermo, Silvia (Roma : Carocci, 2013)
Perikızı. Ein Traumspiel is a play, conceived and written by the writer, director and German actress of Turkish origin Emine Sevgi Özdamar to be represented within the international project Odyssee Europe in Germany in ...
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Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina 

Innamorati, Isabella (Roma : Carocci, 2013)
The contribution’s goal is to piece together the critical analysis project at the root of Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969. This preparatory path gives origin to a vast ...
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O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history 

Bulz, Adriana Carolina (Roma : Carocci, 2013)
This paper deals with the continuing dialogue between dramatic text and audience, while resorting to the tenets of reception theory. I have focused on the moral issues resulting from the unfolding of dramatic action in ...
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Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo 

Pagani, Ileana (Roma : Carocci, 2013)
The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration of some significant moments in the ...
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Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega 

Crivellari, Daniele (Roma : Carocci, 2013)
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable interest, as they provide the opportunity to observe closely the author’s work of composition which resulted in the text to ...
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Dalla scena elisabettiana al teatro di figura: La tempesta di Shakespeare nella traduzione di Eduardo De Filippo 

Sapienza, Annamaria (Roma : Carocci, 2013)
In 1983, a year before his death, Eduardo De Filippo translates in seventeenth-century Neapolitan language The Tempest by William Shakespeare (for the Einaudi publishing house in the series Writers translated by writers), ...
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Judith Schalansky, Lo splendore casuale delle meduse : [recensione] 

Perrone Capano, Lucia (Roma : Carocci, 2013)
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Elisa Gregori, Le comiche smorfie. Avramiotti contro Chateaubriand : [recensione] 

Gallo, Pierino (Roma : Carocci, 2013)
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Pantomime e parodie russe al Teatro degli Indipendenti di A. G. Bragaglia 

D'Amelia Antonella (Roma : Carocci, 2013)
The article examines some performances held in Rome in Anton Giulio Bragaglia’s Teatro degli Indipendenti (Theatre of Independents) by Russian artists (dancers, mimes, musicians and writers) during the Nineteen Twenties ...
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AutoreAttolino, Paola (1)Bulz, Adriana Carolina (1)Cata', Cesare (1)Chialant, Maria Teresa (1)Cinpoeş, Nicoleta (1)Corrado, Sergio (1)Cottegnies, Line (1)Crivellari, Daniele (1)D'Amelia Antonella (1)De Giovanni, Flora (1)... Visualizza piu' informazioniSoggettoShakespeare (5)Performance (3)Screen (2)Stage (2)Abelard (1)Actor/actress (1)Adaptation (1)Bacchae (1)BBC ShakespeareTold (1)Bible (1)... Visualizza piu' informazioniDate Issued2013 (27)Has File(s)Yes (27)
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