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Paola Bono (a cura di), Amleto e Macbeth. Sfumature di noir : [recensione]
(Roma : Carocci, 2013)
Strategie del patetico e interludi circensi in Hide and Seek di Wilkie Collins
(Roma : Carocci, 2013)
Starting from Victor Turner’s definitions of cultural performance and liminoid phenomena,
the essay aims to analyse Wilkie Collins’s third novel, Hide and Seek (1854),
which seems to be a sort of survey of the pastimes ...
Introduzione
(Roma : Carocci, 2013)
Pantomime e parodie russe al Teatro degli Indipendenti di A. G. Bragaglia
(Roma : Carocci, 2013)
The article examines some performances held in Rome in Anton Giulio Bragaglia’s
Teatro degli Indipendenti (Theatre of Independents) by Russian artists (dancers,
mimes, musicians and writers) during the Nineteen Twenties ...
L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema
(Roma : Carocci, 2013)
The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful
illustrations of his short and long novels. The illustrations – painted by Cruikshank,
Phiz, Leech – were reproduced as slides for ...
Shakespeare’s language and the contemporary cinema audience
(Roma : Carocci, 2013)
Among the many difficulties which are encountered in realising the plays of Shakespeare
for the screen, perhaps the greatest is the translation from a primarily verbal
medium to a primarily visual one. The decisions made ...