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Il didatta, lo sciamano e l’interprete: Le baccanti euripidee secondo Luigi Squarzina
(2013)
The contribution’s goal is to piece together the critical analysis project at the root of
Squarzina’s directorial work on The Bacchae staging at Teatro Stabile in Genoa 1969.
This preparatory path gives origin to a vast ...
Licence to Adapt: the Resilience of the 007 Narration in Casino Royale
(2013)
Attolino, Paola. “Licence to Adapt: the Resilience of the 007 Narration in Casino Royale.” «Testi e linguaggi» 7(2013):139-148. [Studi monografici. Letteratura in performance, a cura di A. D’Amelia e A. Piazza]
Shakespeare’s Romeo and Juliet: theatricality of reality against true love?
(2013)
Post-modernist film adaptations of Shakespeare often deconstruct the Shakespeare
myth, as do Baz Luhrmann’s prolific Romeo + Juliet (1996), Lloyd Kaufman’s lowbudget
Tromeo and Juliet (1996) and Fumitoshi Oizaki’s anime ...
O’Neill’s Long Day’s Journey into Night on the Romanian Stage: Valorizing the performance potential in production history
(2013)
This paper deals with the continuing dialogue between dramatic text and audience,
while resorting to the tenets of reception theory. I have focused on the moral issues
resulting from the unfolding of dramatic action in ...
Pantomime e parodie russe al Teatro degli Indipendenti di A. G. Bragaglia
(2013)
The article examines some performances held in Rome in Anton Giulio Bragaglia’s
Teatro degli Indipendenti (Theatre of Independents) by Russian artists (dancers,
mimes, musicians and writers) during the Nineteen Twenties ...
L’infinito intrattenimento. Dickens dalla pagina alle illustrazioni, agli schermi del “primo” cinema
(2013)
The knowledge and the fortune of Charles Dickens’s works are also due to the beautiful
illustrations of his short and long novels. The illustrations – painted by Cruikshank,
Phiz, Leech – were reproduced as slides for the ...
Tra narrazione biblica e performatività liturgica: il Planctus virginum Israel super filia Iepte Galadite di Abelardo
(2013)
The Planctus virginum Israel super filia Iepte Galadite is the best known of six poems
for music unanimously attributed to Abelard, generally known as the planctus. Reconsideration
of some significant moments in the patristic ...
Dal manoscritto alla scena: El piadoso aragonés di Lope de Vega
(2013)
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are
of undeniable interest, as they provide the opportunity to observe closely the author’s
work of composition which resulted in the text to be ...
Dalla scena elisabettiana al teatro di figura: La tempesta di Shakespeare nella traduzione di Eduardo De Filippo
(2013)
In 1983, a year before his death, Eduardo De Filippo translates in seventeenth-century
Neapolitan language The Tempest by William Shakespeare (for the Einaudi publishing
house in the series Writers translated by writers), ...